I’m putting my books for July and August together this month because I was on holiday in South Korea at the end of July! I finished The Encyclopedia of Doris before I went away, and in between sightseeing reread The Dispossessed by Ursula K. Le Guin, and devoured a Japanese crime fiction novel on the plane: Out by Natsuo Kirino.
The Encyclopedia of Doris by Cindy Crabb ★★★★☆
This is the second anthology of Doris, a biannual perzine written by anarcho-feminist Cindy Gretchen Ovenrack Crabb. I discovered an extract from Doris in another zine anthology – A Girl’s Guide to Taking Over the World – and immediately tried to seek out more Doris. To my delight, TWO whole anthologies spanning two decades exist!
Firstly you might be wondering: what is a ‘perzine’? Or even, what is a ‘zine’? Zines are handmade, low budget magazines, usually on a specific topic such as certain bands, feminism, travel, or personal experiences. They are usually made with the help of a photocopier and some staples or thread. A perzine is a category of zine which often reads like a diary, with the author writing about their life, thoughts and feelings.
I think that Doris is the ultimate perzine – Cindy writes so tenderly about her friends, family, personal history, political views, struggles etc. Cindy’s writing is often anecdotal and introspective, but universal at the same time. Her message is hopeful, and strives towards personal healing; her brand of anarchism/feminism is one that believes kindness to other human beings is the route towards revolution. I had never really read much about anarchism before and was surprised by how tender and community-driven her political theory was. Anarchy doesn’t mean chaos and destruction; it can mean growth and change. I really can’t stress glad I am that I discovered Doris.
This anthology is a little more political, I feel, than Doris: An Anthology (a collection of zines written between 1991 – 2001). Cindy tackles issues like abuse, addiction, and grief, which makes for heavier reading, but it is definitely important. I gave this book four stars because I think I enjoyed the first book a little more, but that is just because of my slight preference for perzines over more political zines.
The Dispossessed by Ursula K. Le Guin ★★★★★
This is my second time reading the book that got me hooked on Ursula K. Le Guin. This is where it all started! And I think The Dispossessed was even better the second time around. I could appreciate the ideas Le Guin sets up about utopias, their fragility and strategies for preserving them, and the forces of anarchy and capitalism and things like that. I like how she splits the storytelling into chapters set on the two planets in the past and present, too.
I would definitely recommend The Dispossessed to anyone into sci-fi and/or feminism. It’s a great ‘gateway’ to Ursula Le Guin. The Dispossessed, in a nutshell, is about a physicist developing a mode of instant communication between planets. He is from a barren anarchist/socialist colonised planet called Anarres, and is invited down to the more bountiful and capitalist planet Urras in order to develop and share his theories with other scientists. The planets are each others’ moons, and many ideas are called into question about social norms, learned behaviours, politics and morality when he visits this (literally) alien world. It’s a classic of science-fiction.
Out by Natsuo Kirino ★★★★☆
Wow. I read this entire book on the plane back from Japan, which to be fair was two long-haul flights, but it’s quite a thick book and I stormed through it. Out is a Japanese crime novel which begins with a frustrated and beaten-down housewife strangling her husband to death, and then employing the help of her coworkers at a factory to dispose of the body and evidence. It is tense and intense. Like, The Killing tense. Or Se7en tense. Interestingly, it’s told from the perspective of the murderer and accomplices, but you’re totally rooting for them, and the guilt and threat of being caught makes you even more on edge.
I really can’t tell if this is a feminist book or not! I think it is feminist in its characterisation of the women. The four main female characters differ radically from each other, have their own motives, independence (or lack of) and abject flaws. There is no tokenism or stereotyping here; Kirino does well in creating a female group dynamic which defies conventions. However, the ending of the book was confusing and difficult to read…I’m not sure if I ‘got’ it. I won’t spoil it, but comment what you thought if you have read it! I was hoping for a blaze of glory type ending. Perhaps it was, but in a different way to usual.